ARTICLES
"Performing Arts and Embodiment in Christian Theology," co-authored with Todd E. Johnson, St Andrews Encyclopaedia of Theology (2024).
"Acting Out and Acting In: Analyzing Digital and Virtual Liturgy," Annali di Studi Religiosi, 25/24 (2024): 119-136.
"The Theological Anthropology of Dobbs: Women in Service to White Nationalism," Anglican Theological Review, 106:3 (2024): 301-318.
“Generational Joy: Affections, Epigenetics, and Trauma,” Liturgy, 35:4 (2020): 58-66.
“Pandemics, Protests, and Performances: Embodying Our Faith in Unexpected Ways,” co-authored with Todd E. Johnson, Liturgy, 35:4 (2020): 1-7.
"Feminist Theology, Plant Names, and Power," Religions, (10:3) 2019: https://doi.org/10.3390/rel10030184.
"Wrestling with God: The Lived Theodicy of Marilyn McCord Adams," Anglican Theological Review, 100:2 (2018): 339-354.
“Imago Dei in the Waiting Room,” Touchstone, 34:1 (2016): 23-30.
“Tradition on Fire: Polydoxy, Orthodoxy, and Theological Epistemology,” Modern Theology, 30:3 (2014): 17-33.
“Rahner’s Mission: A Response to Richard Lennan,” Philosophy and Theology, 25: 2 (2013): 271-274.
“Response to David Boulton and Jeffrey Dudiak,” Quaker Religious Thought, 118 (2012): 45-50.
“Kairos in the Chronos: Prophetic Calls in Contemporary Culture,” Philosophy and Theology, 23:2 (2011): 301-315.
“Contesting the Primacy of the Word: Activism, Autobiography, and Mimesis,” Feminist Theology, 18:3 (2010): 257-276.
“Theology as Performance,” The Ecumenist, 45:2 (2008): 6-10.
“Empowering the Truth,” Quaker Religious Thought, 108 (2007): 18-29.
“What Would Buffy Do? A Pop Culture Feminist Ethic of Violence,” Jump Cut, 48 (Winter 2006).
“Command Performance: Rethinking Performance Interpretation in the Context of Divine Discourse,” Modern Theology, 16:4 (2000): 475-494.